Finish | Horse | Owner | Jockey | Finish: Margin |
Speed
Figure |
Earnings
|
---|---|---|---|---|---|---|
1 | Armonica (GBR) | Kim Plausible | Damian Farley | 1: 1 |
$
6,000
|
|
2 | My Destiny Awaits (LA) | Jonathan Bolt | Caleb Fitzpatrick | 2: 1 1/4 |
$
2,640
|
|
3 | Taper Jean Girl (AUS) | Bryan Doolittle | Wanda Watkins | 3: 1 |
$
1,200
|
|
4 | In a Pinch II (AUS) | Rob Hill | Naomi Connor | 4: 1 1/2 |
$
840
|
|
5 | Reaching Out I (VA) | Mallory Claire | Gabe Novak | 5: 1 1/2 |
$
240
|
|
6 | Knights Tale II (AUS) | Rob Hill | Javier Trujillo | 6: 1 1/4 |
$
0
|
|
7 | You Cought My Eye (AUS) | Fabio Socarraz | Alex Perez | 7: 1 |
$
0
|
|
8 | Wallflower II (VA) | Lee Cara | Jeff Felix | 8: 1 |
$
0
|
|
9 | Urban Cat (KY) | Hamish Mcgonaghal | Gerald Stevens | 9: 1 1/2 |
$
0
|
|
10 | Echoes in the Nite (JPN) | Charles Bunbury | George Washington | 10: 3 1/2 |
$
0
|
|
11 | Theatre Mistress I (GBR) | Kelsey Buck | Derek Lucero | 11: 4 |
$
0
|
|
12 | Angel Trail II (FL) | Bob Allensworth | Caleb McClain | 12: -- |
$
0
|
Armonica | b.f.2 | |
Owner: Kim Plausible | Breeder: Mac Silver | |
Sire: Benjamin Franklin | Dam: Evening Everglade |
Armonica - 1 Broke well tucked in on rail turn prevailed under urging | |
My Destiny Awaits - 2 Broke well showed speed urged along second best | |
Taper Jean Girl - 3 Sluggish start taken behind rivals moved between horses gamely stretch | |
In a Pinch II - 4 Fell to knees at start held behind rivals moved between horses no threat | |
Reaching Out I - 5 Broke well flashed speed urged along lacked response | |
Knights Tale II - 6 Broke inwards steadied behind horses moved inside tired | |
You Cought My Eye - 7 Sluggish start taken back angled out no response late | |
Wallflower II - 8 Broke well between rivals early wide off turn even finish | |
Urban Cat - 9 Broke poorly showed speed moved inside tired late | |
Echoes in the Nite - 10 Broke inwards settled moved between horses no rally | |
Theatre Mistress I - 11 Broke well settled outside rivals angled out outfinished | |
Angel Trail II - 12 Broke poorly taken back angled out flattened out |