Finish | Horse | Owner | Jockey | Finish: Margin |
Speed
Figure |
Earnings
|
---|---|---|---|---|---|---|
1 | Wild Love I (LA) | Bob Oliva | Thomas Clifton | 1: 1 |
$
10,000
|
|
2 | Sweet N Low (NY) | LaDonna King | Natalia Brunetto | 2: 1 |
$
4,400
|
|
3 | Encore Dancer (FL) | Brandon McNulty | Autumn Everett | 3: 1 1/4 |
$
2,000
|
|
4 | A Fleeting Moment (GBR) | Chivista Chivas | Ivan Rios | 4: 1 1/2 |
$
1,400
|
|
5 | Sanguine II (IRE) | Charles Bunbury | George Washington | 5: 1 |
$
400
|
|
6 | Tears Abound (IRE) | Jennifer Francis | Aaron Andersen | 6: 1 |
$
0
|
|
7 | Splashing the Pot (NY) | James Jerowski | Melanie Dalton | 7: 1 1/4 |
$
0
|
|
8 | Current Edition II (COL) | Ramey Furney | Whitney Andersen | 8: 1 1/2 |
$
0
|
|
9 | Rely On the Map II (NZL) | Kris Rain | Mia Yamagata | 9: 1 |
$
0
|
|
10 | Tribal Warrior (SAF) | Efren Domingo | Bonnie Black | 10: 1 1/4 |
$
0
|
|
11 | French Rain II (MD) | Shiadra Cattari | Abbey Friedman | 11: 1 1/4 |
$
0
|
|
12 | The Palm II (VA) | Charles Bunbury | Joe Mercer | 12: -- |
$
0
|
Wild Love I | b.f.3 | |
Owner: Bob Oliva | Breeder: Bob Oliva | |
Sire: The Wilding | Dam: Faith And Love I |
Wild Love I - 1 Broke inwards tucked in along rail angled out strongly to wire | |
Sweet N Low - 2 Fell to knees at start settled on rail turn gamely stretch | |
Encore Dancer - 3 Broke well dueled moved inside willingly stretch | |
A Fleeting Moment - 4 Broke smoothly from gate dueled wide turn flattened out | |
Sanguine II - 5 Broke well held behind rivals wide turn no rally | |
Tears Abound - 6 Broke outwards showed speed on rail turn evenly | |
Splashing the Pot - 7 Broke well steadied moved between horses evenly | |
Current Edition II - 8 Broke inwards taken back responded when urged no rally | |
Rely On the Map II - 9 Broke smoothly from gate taken behind rivals wide turn hung | |
Tribal Warrior - 10 Broke well taken back angled in outfinished | |
French Rain II - 11 Broke smoothly from gate taken behind rivals wide turn outfinished | |
The Palm II - 12 Broke quickly tucked in angled out was not a threat |