Finish | Horse | Owner | Jockey | Finish: Margin |
Speed
Figure |
Earnings
|
---|---|---|---|---|---|---|
1 | Private Skip (KY) | Anthony Newman | Aaron Stanton | 1: 1 1/4 |
$
7,500
|
|
2 | To'ak (IL) | Shiadra Cattari | Alejandro Gonzales | 2: 1 1/2 |
$
3,300
|
|
3 | Diamond Hooray (IL) | Laura Ferguson | Michael Moody | 3: 1 |
$
1,500
|
|
4 | Hooray for Birds (IL) | Amanda Murphy | Aaron Springer | 4: 1 |
$
1,050
|
|
5 | King of the Swamp (IL) | Crisjay Bellosillo | Chris Bruno | 5: 1 |
$
300
|
|
6 | Real Threat (IL) | Kenneth Prater | Jordan Rios | 6: 1 |
$
0
|
|
7 | News Break (FRA) | Louise Bayou | Bryce Black | 7: 1 |
$
0
|
|
8 | Saratoga Hooray (IL) | Randall Allen | Virginia Crowe | 8: 1 |
$
0
|
|
9 | Seaside Sultan (IL) | Matthew Kveragas | Chloe Vokolhoff | 9: 1 |
$
0
|
|
10 | Rough Rick (KY) | Anthony Newman | Aaron Spence | 10: 1 |
$
0
|
|
11 | Dans Les Tenebres (LA) | Crisjay Bellosillo | George Washington | 11: 1 |
$
0
|
|
12 | Brush Those Teeth (LA) | Kasie Gillespie | Michael Phelps | 12: -- |
$
0
|
Private Skip | gr.g.4 | |
Owner: Anthony Newman | Breeder: Pedro Pastinio | |
Sire: Private Zone | Dam: Avatar Korra |
Private Skip - 1 Broke outwards off the pace wide turn ridden out | |
To'ak - 2 Broke inwards flashed speed shifted out turn willingly stretch | |
Diamond Hooray - 3 Fell to knees at start chased rivals moved between horses third best | |
Hooray for Birds - 4 Broke well rushed up wide turn evenly | |
King of the Swamp - 5 Broke well lagged early angled out gave way | |
Real Threat - 6 Broke well showed speed split rivals outfinished | |
News Break - 7 Away well held behind rivals angled out flattened out | |
Saratoga Hooray - 8 Broke well taken behind rivals urged along hung | |
Seaside Sultan - 9 Broke inwards taken behind rivals fanned out no rally when asked | |
Rough Rick - 10 Broke well chased pace angled out dropped out | |
Dans Les Tenebres - 11 Away alertly chased pace urged along asked but tired | |
Brush Those Teeth - 12 Broke quickly no factor early fanned out lacked response |