Race
| Finish | Horse | Owner | Jockey | Finish: Margin |
Speed
Figure |
Earnings
|
|---|---|---|---|---|---|---|
| 1 | Fountain of Tears (GBR) | Leigh Ann Anderson | Caleb Frost | 1: 1 |
$
6,000
|
|
| 2 | You've Been Caught (GBR) | Lisa Strummer | Cesar Lucero | 2: 1 |
$
2,640
|
|
| 3 | Jazz Girl Bailey (FL) | Arthur Cutler | David Dubois | 3: 1 |
$
1,200
|
|
| 4 | I Have a Dream I (FRA) | Sara Kendall | Nathan Marshall | 4: 1 |
$
840
|
|
| 5 | Kosciuszko (CA) | Laura Cameron | James Blanton | 5: 1 |
$
240
|
|
| 6 | Sublimed II (ITA) | Megan Grant | Naomi Aomori | 6: 1 3/4 |
$
0
|
|
| 7 | Sierra Sugar (GBR) | Jon Xett | Carlos Gonzales | 7: 1 |
$
0
|
|
| 8 | Norma Jeane I (KY) | Carolyn Eaton | Makayla Boyd | 8: 1 |
$
0
|
|
| 9 | Gestione Sportiva (GBR) | Lee Cara | Jeff Felix | 9: 1 |
$
0
|
|
| 10 | Big Things Ahead (GBR) | Bob Oliva | Thomas Clifton | 10: 1 |
$
0
|
|
| 11 | Camera Cop II (JPN) | Matthew McMahon | Chris Williams | 11: 1 |
$
0
|
|
| 12 | Hollywood Films II (SAF) | Anna Leroux | Arianna Walsh | 12: -- |
$
0
|
Breeder Award: $1,080
| Fountain of Tears | dkb.f.2 |
 |
| Owner: Leigh Ann Anderson | Breeder: Leigh Ann Anderson | |
| Sire: Tears of Triumph | Dam: Well House |
| Fountain of Tears - 1 Broke quickly showed speed responded when urged proved best under urging | |
| You've Been Caught - 2 Broke well steadied behind horses moved between horses gamely stretch | |
| Jazz Girl Bailey - 3 Broke inwards taken back responded when urged willingly stretch | |
| I Have a Dream I - 4 Broke smoothly from gate mid pack wide off turn tired | |
| Kosciuszko - 5 Broke well taken behind rivals wide turn was not a threat | |
| Sublimed II - 6 Broke well taken behind rivals wide turn lacked response | |
| Sierra Sugar - 7 Broke well settled outside rivals on rail turn lacked response | |
| Norma Jeane I - 8 Broke smoothly from gate showed speed wide off turn hung | |
| Gestione Sportiva - 9 Broke quickly held in mid pack urged along evenly | |
| Big Things Ahead - 10 Broke outwards showed speed on rail turn flattened out | |
| Camera Cop II - 11 Broke outwards held behind rivals moved inside evenly | |
| Hollywood Films II - 12 Broke outwards tucked in angled in lacked response |