Finish | Horse | Owner | Jockey | Finish: Margin |
Speed
Figure |
Earnings
|
---|---|---|---|---|---|---|
1 | Miss Luxury (NY) | Eric Nalbone | David Faulkner | 1: 1 1/2 |
$
12,500
|
|
2 | It's the Beaches (CA) | Brandon Schultz | Abbey Martinez | 2: 1 1/2 |
$
5,500
|
|
3 | Spoiler (NY) | Susie Rydell | Finnick Odair | 3: 1 |
$
2,750
|
|
4 | Orion's Belt (KY) | Clarehaven Stables | Miguel Byrne | 4: 1 |
$
1,750
|
|
5 | Soul to the Devil (NY) | Dave Trainer | Ashley Bradley | 5: 1 |
$
750
|
|
6 | Pay On Demand (CA) | Kent Saunders | Ben Boyd | 6: 1 |
$
0
|
|
7 | Aquarii (OK) | Ash Tarasin | Hannah O'Neill | 7: 1 1/2 |
$
0
|
|
8 | Night Deal (KY) | Te Akau Downs | Aaron Blanton | 8: 1 |
$
0
|
|
9 | Demon of Darkness (FL) | Donnie Hidalgo | Wesley Roberts | 9: 1 |
$
0
|
|
10 | Delirious Ants (MD) | Pat Mcgowan | Hamilton McKay | 10: 1 1/2 |
$
0
|
|
11 | Minky Momo (JPN) | Craig Nevill | Scott Arrington | 11: 1 1/4 |
$
0
|
|
12 | Capsule Corp (CA) | Dalton Winzy | Javier Vargas | 12: -- |
$
0
|
Miss Luxury | b.f.3 | |
Owner: Eric Nalbone | Breeder: Eric Nalbone | |
Sire: All of Time | Dam: Luxia |
Miss Luxury - 1 Broke inwards no factor early responded when urged ridden out | |
It's the Beaches - 2 Broke quickly vied with rival moved inside could not match winner | |
Spoiler - 3 Broke quickly battled in tight lane willingly stretch | |
Orion's Belt - 4 Broke inwards forced pace wide turn no menace | |
Soul to the Devil - 5 Broke inwards taken behind rivals angled out outfinished | |
Pay On Demand - 6 Steadied start no factor early angled in evenly | |
Aquarii - 7 Broke outwards settled well angled out hung | |
Night Deal - 8 Broke quickly chased rivals altered course turn flattened out | |
Demon of Darkness - 9 Broke well taken between rivals early fanned out was not a threat | |
Delirious Ants - 10 Broke smoothly from gate steadied behind horses angled in evenly | |
Minky Momo - 11 Broke outwards middle path moved between horses tired late | |
Capsule Corp - 12 Broke well steadied moved between horses angled out late |