Finish | Horse | Owner | Jockey | Finish: Margin |
Speed
Figure |
Earnings
|
---|---|---|---|---|---|---|
1 | Close Together (JPN) | Karl Smythe | Zachary Sinclair | 1: 1 |
$
12,500
|
|
2 | Bonfire Tonight (JPN) | Emily Mitchell | Jack Barlow | 2: 1 |
$
5,500
|
|
3 | Tears In The Nite (FL) | Tammy Fox | Skylar Fox | 3: 1 |
$
2,500
|
|
4 | SeaOfTranquility I (VA) | Laura Ferguson | Frederick Archer | 4: 1 |
$
1,750
|
|
5 | Moulin Rouge II (JPN) | Emma Lochran | Jane Murphy | 5: 1 |
$
500
|
|
6 | Illimani (JPN) | Peihe Sun | Oliver Shepard | 6: 1 |
$
0
|
|
7 | Grimace II (MD) | Nathan Sellers | Caleb Stephenson | 7: 1 |
$
0
|
|
8 | Continental II (JPN) | Karie McBrian | Ryan O'Sullivan | 8: 1 |
$
0
|
|
9 | Bungalow II (HKG) | Alysse Peverell | Jack Farley | 9: 1 3/4 |
$
0
|
|
10 | Ohta (GBR) | Katy Turner | Ian Welsh | 10: 1 |
$
0
|
|
11 | Miles To Go I (JPN) | Paul Heinrich | David Arrington | 11: 2 1/4 |
$
0
|
|
12 | Musical Atlas II (VA) | NA Stables | Caroline Campbell | 12: -- |
$
0
|
Close Together | bl.f.2 | |
Owner: Karl Smythe | Breeder: Eric Nalbone | |
Sire: Miles Apart | Dam: Luvah Girl |
Close Together - 1 Clean break dueled wide turn urged to wire | |
Bonfire Tonight - 2 Broke outwards settled angled out could not match winner | |
Tears In The Nite - 3 Broke smoothly second flight moved willingly inside tired | |
SeaOfTranquility I - 4 Broke quickly mid pack moved willingly inside was not a threat | |
Moulin Rouge II - 5 Off smartly moved up willingly bid between horses tired late | |
Illimani - 6 Broke well settled wide turn evenly | |
Grimace II - 7 Broke smoothly flashed speed wide turn no rally | |
Continental II - 8 Stumbled start tucked in along rail wide turn no rally | |
Bungalow II - 9 Clean break settled gained ground flattened out | |
Ohta - 10 Bumped start tucked in along rail continued run off the rail flattened out | |
Miles To Go I - 11 Broke well mid pack gained ground no rally when asked | |
Musical Atlas II - 12 Slightly crowded at start moved up willingly inched ahead turn tired late |