Finish | Horse | Owner | Jockey | Finish: Margin |
Speed
Figure |
Earnings
|
---|---|---|---|---|---|---|
1 | Why Do You Hate Me (NY) | Doug Kidwell | Michael Hunt | 1: 1 1/4 |
$
7,500
|
|
2 | Julie of the Wolf (JPN) | Norman Architecture | Trevor Pryor | 2: 1 |
$
3,300
|
|
3 | PastPerseverance I (KY) | Karl Smythe | Malcolm Flynn | 3: 1 |
$
1,500
|
|
4 | You Better Wonder (FL) | Ted Thorn | Lauren Lake | 4: 1 |
$
1,050
|
|
5 | Ellis Islands (IL) | Dusty Klatt | Melvin Puckett | 5: 1 1/4 |
$
300
|
|
6 | Rhyme Nor Reason (KY) | Laura Smith | Brian Andrews | 6: 1 |
$
0
|
|
7 | Smouldering Pepper (FL) | Christy Williams | Ben Harper | 7: 1 |
$
0
|
|
8 | New York Sunset (NY) | Eugene Ferguson | Billy Butler | 8: 1 |
$
0
|
|
9 | A Cry for Truth (TX) | Carole Hanson | Emma Fox | 9: 1 |
$
0
|
|
10 | Am I Faithful (JPN) | Lethal Prodigy | Kyle Fitzpatrick | 10: 1 1/4 |
$
0
|
|
11 | A Little Sticky (NY) | Carter Taylor | Abigail Saunders | 11: 1 1/2 |
$
0
|
|
12 | Rad Racing (MEX) | Garret Folsom | Eric O'Neill | 12: -- |
$
0
|
Why Do You Hate Me | ch.f.3 | |
Owner: Doug Kidwell | Breeder: Doug Kidwell | |
Sire: God | Dam: Story of Our Lives I |
Why Do You Hate Me - 1 Broke quickly settled altered course turn strongly to wire | |
Julie of the Wolf - 2 Broke quickly steadied behind horses saved ground could not match winner | |
PastPerseverance I - 3 Broke quickly lagged early responded when urged tried hard lane | |
You Better Wonder - 4 Clean start prompted pace wide off turn flattened out | |
Ellis Islands - 5 Broke inwards taken behind rivals angled out lugged out | |
Rhyme Nor Reason - 6 Broke well vied with rival on rail turn tired late | |
Smouldering Pepper - 7 Away well dueled wide turn tired late | |
New York Sunset - 8 Steadied start steadied wide turn gave way | |
A Cry for Truth - 9 Fell to knees at start middle path on rail turn no threat | |
Am I Faithful - 10 Away alertly taken back saved ground no menace | |
A Little Sticky - 11 Broke well mid pack angled in flattened out | |
Rad Racing - 12 Broke smoothly from gate strung wide early angled out tired late |